![]() Important Notice This item is noncancelable and nonreturnable.Īdd to Wish List. You can load these up from a number of presets and customise them considerably by adding tabbed and floating windows, as well as rescaling and re-jigging the various elements. In the four years since WaveLab 6, Steinberg have been busy not only developing for OS X, but also pulling together existing WaveLab features into four dedicated workspaces. ![]() You'll also find Loudness Envelope and Spectrum Display views, and the latter combines with the Spectrum Editor for frequency-specific editing. Other aspects, such as metering and analysis, have grown to include lots of real-time and offline options, ranging from Oscilloscope and K-System level meters real-time to Loudness Distribution and 3D Frequency Analysis offline. Over time, WaveLab has grown into a powerful application, featuring everything from audio file editing to multitrack processing, recording and arranging.Įditing can be either destructive or non-destructive, and the Audio Montage window enables you to apply clip-specific and master effects in real time. So, the first thing to note is that WaveLab 7 is the first major release to follow this path, and although it may well work on an earlier OS, it's only officially supported for those two. WaveLab Elements Recently, they've also confirmed that their future products will only support Windows 7 and Snow Leopard. What is Mastering? Compatibility Information The stand-alone Harbal application does this as well, and it's an extremely useful tool when making mastering decisions. You can now store its current set of plug-ins with an audio file, its display now indicates both 'plug-ins active' green and 'global bypass' red states, and the plug-ins organiser now recognises folders. WaveLab features sample-accurate stereo and multi-track audio editing. Furthermore, WaveLab LE 7 ha the new WaveLab. It offers a suite of audio editing tools tailored to the needs of musicians. The Master Section itself also benefits from a few new options. It must always be loaded in the topmost effect slot. Wavelab Pro 9.5.50Īudio Input replaces the previous 'Live Input' function, letting you capture any incoming signal from your audio interface hardware with Master Section effects, but is far more versatile since the plug-in window lets you select any number of input channels from one to eight, and your choice of sample rate. It's a sort of poor man's Auto-Tune, and can also be persuaded to perform subtle Cher-like robotic glitches at extreme settings. ![]() Also new in the process menu is a Pitch Quantise option that works on monophonic lines to correct intonation problems you can define the reference frequency, pitch tolerance and slur time. The newly refined Audio Input plug-in now lets you record incoming signals to up to eight audio channels simultaneously, for live surround recording and treatment. There are six variations on the DIRAC algorithm for dealing with different kinds of source material such as instruments, voices, classical music, percussion and so on, and I found they imposed significantly fewer artifacts on long stretches than the previous algorithms. Previous Wavelab versions offered the same sample-rate conversion algorithms as Cubase and Nuendo, but Wavelab 6 includes a new SRC Crystal Resampler that's gaining much praise for its conversion accuracy - it's significantly more transparent, and roughly on a par with Voxengo's highly acclaimed rBrain Pro.Īlso, tucked away inside both the Time-stretch and Pitch Correction processing windows is an innocuous new tick box that should bring a big smile to all those who do a lot of work with loops. ![]() Here are some that particularly appealed to me. There are also many smaller additions and improvements that prove really helpful. The previous Normalise process has become Level Normaliser, and is joined by Loudness Normaliser, which works with RMS levels to set a loudness and is thus far more appropriate than the conventional peak level adjustment when you're trying to make individual tracks sit in an album context. I also found this a very useful way to avoid clicks when you want to process only part of a file. ![]() This is far more versatile than the previous Fade processes, especially with its 'smooth envelope' function that turns lines into curves. ![]()
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